ADR3-N's audio Reviews on Newgrounds

[PartySlaughter (May 2022)]

Sounds a lot like olskool dnb I used to listen to. Nice!

I would pump up the sub on the bass through 40 sec and find a way to stereo widen or chorus the frequencies on it above 500 hz. It's a very organic sound and I really enjoy it but I feel it needs more intensity, more saturation, clipping, something. Otherwise. I enjoy the acid vibes at 1:40 very much.

This track is both relaxing, vibrant, and dynamic. Very much enjoy that.

For the section at 2:18 I would bring down the reverb on your saws and the saws themselves somewhat. Or alternatively you can really pump the kick and snare. But it seems hi-hat and all may be getting buried there by reverb wash.

It does not sound like this has any mastering compression, which it would benefit from. There are several online mastering services, even some for free, which would help in this regard, but I would recommend revisiting to mix prior to attempting that.

Overall, really enjoyed the track. Familiar and comforting in the sense I love the genre, and fresh in the sense it's not 20 years old xD

Thanks for coming out to NGADM!

TheNormalMusic responds:

Woah, that's a long one...
Yeah, it's based a lot on those early 00's tracks, I really like their vibe too. Mastering and stuff like that is not made well, I couldn't make it better back in the days, when I was making this song. Anyway, thank you for that review and that you like this song!

[Song for the Masses]

I think your chords are a bit crowded in the low mid range in your intro, prior to a more aggressive treatment with EQ as you show later on.

Your vocal FX are beautiful bit it's a bit difficult to understand them. I think there should be more compression, perhaps even clipping, transient shaping, stronger chorus, and aggressive EQ to push those vocals into our face. As it is, the shakers are more prominent in the mix than the vocals and that is preventing me from paying them the proper attention!

The same is happening in relation to the bass not having what sounds like a dedicated center -- i.e being too chorused or widened out at the frequencies below 300 hz.

At 3:48 or so I think I hear clipping at the mixer.

Beyond that the song is quite catchy and I enjoyed the listen. Some fixes to the mix such as bringing out your vocals more, a bit more presence for bass, and taking down your shakers slightly should help!

Thanks for coming out to NGADM!

[It's Gonna Be Great]

I would really love if that vinyl noise were much more subtle, about the relative volume it is at 0:15 seconds

Got to say you've got a nice chord progression going on, especially with that unstable bass note for your second chord. Nice leads. Everything with the exception of percussion is sounding really nicely mixed to me. I think I would like your kick and snare up about .2 to .4 dB and the snare clipped, saturated, and widened a bit to fit in with your very wide panned keys a bit better.

Drop/hook is so beautifully soulful. Great work.

I have little critique beyond that. I didn't even notice that guitar was a sample until you pitched it down. Nice work there. That sax solo you have blurs the line between reality and synth instrument, and could use a bit more swing if you were going for more realism.

Outro was simple and not overdone with a pitch and time warp. Nice there.

Overall, really enjoyed it! Thanks for coming out to NGADM

[SeeDs of Pandora - "Existence Still Denied" (Short Edit / Cut Version)]

I'm actually not entirely familiar with this piece but I can appreciate the complexity and work that went into remixing it. There are some aspects of the mix that need improved. For instance, the wide panned, chorused, and spaced out elements are all quite loud relative to bass, kick, snare, and other elements. I think this detracts a lot from the piece and drains energy from what should be super amped and in your face. Mostly the section through 5 minutes suffers from this.

I will probably have to leave time stamps for my remaining critique.

6:15 was a good transition! The following section of rap/poetic delivery was well written but could use just a bit clearer diction, and the following section suffers from the same mixing issues as earlier, very loud pads and leads, and kick/snare/bass very quiet in the mix.

However, I absolutely applaud the ambition and arrangement overall. I think this song is many things at once, at times to its detriment and at times to its strength. A near ten minute mix is a monster of a track. Kudos for having time to finish it at all! Great work!

[Pooo1-Summer wave]

Interesting blend of sounds and offbeat feel (also I like your icon)

I'm not really able to offer much critique beyond I think your drop could use an offbeat bass to hold down the bottom of the track, an octave lower than your top bass, and perhaps a side chain to the kick and snare for any instruments holding long tones there would help as well. There is not a lot of contrast to help delineate where I am supposed to rave my ass off if that makes sense.

Otherwise, cool track! Thanks for coming out!

pooo1 responds:

thanks for the critic

[Fistula]

I actually was surprised by how melodic and calming this is for a piece titled Fistula. I have no real critique beyond it is difficult to make out the kick and snare for the volume of the guitars. I wonder how this would sound if it were not for that.

BALDORF responds:

Yeah, the name was mostly just because I uploaded on Valentines Day and felt like giving it a nasty name lol

I'm not great with drum stuff or mixing/mastering, so that makes sense.

Thanks for the review!

[I'm So Happy I Could Die]

Definitely feeling the overstimulation!

I feel myself wanting more presence out of your kick and snare, and perhaps just a bit less reverb low end. I feel like the 250 hz and below of the wet signals are washing out the bass, as well as sub can probably come down a bit and bring up the top end of the bass.

The vocals could use more compression and volume to sit intelligibly.

Beyond that, I adore Miku, and I can MOSTLY understand her. What you've written sounds catchy.

Nice work!

3xBlast responds:

That's fantastic feedback!!! Rare to get such actionable insight on a track, very much appreciated!

[Spiderman vs greengoblin]

Smooth olskool with great sample placement. It manages to sound both familiar and unfamiliar with the varied sources. Really appreciate how you sampled that piano as well.

Some mild complaints of one or two samples here or there is pretty loud relative to the rest of the beat, but otherwise everything is cleanly in its place. I find myself wanting a bit of master compression to not get lost in the loudness wars on a playlist. Real easy listening otherwise.

[Bones]

Enjoying the warbly bends of this piece. Reminds me of old computer music.

Mix wise I would like more kick volume, a tad more on snare, and a bit less on hihat. If you could center one or the other bass that would be nice but that could be a channel music preference. More sustain on toms would be good as well.

Some master compression in post processing would bring this to the next level.

Great writing and structure. Thanks for coming out!

[Happy Birthdie]

Люблю как страшно заставил "с днем рождения" звучить))
Просто класс!